Esther Smith fights back against digital fraud, music hijacking allegations

Esther Smith, a legendary gospel singer from Ghana, has addressed the allegations made by OFM Computer World and its CEO, Dr. Debrich Jeremiah Acheampong, regarding control over her music rights and online platforms as well as digital fraud. Esther Smith said in a statement that she was worried that OFM Computer World and Debrich Consultancy, which is an affiliate of OFM Computer World, had done things that made it impossible for them to control her digital platforms, like her official website and YouTube channel.

She alleged that her music distibution accounts were mismanaged, leading to financial losses, and that she did not receive the full benefits of her music’s digital distribution.

I was not informed or consulted about changes made to my official platforms. Upon further investigation, I discovered discrepancies regarding ownership and royalty payments for my music, Smith stated.

She further explained that payments for certain services were not properly justified and that she had been misled regarding the promotional efforts undertaken on her behalf.

Smith’s concerns have resonated with other artists, some of whom have come forward with similar grievances regarding the management of their digital content. Many industry professionals are now calling for increased transparency in digital partnerships.

Responding to these allegations, Dr. Debrich Jeremiah Acheampong of OFM Computer World stated that the company had entered into a contractual agreement with Esther Smith in 2020 to manage her YouTube channel and other digital platforms as part of a strategic partnership.

He clarified that, in his view, the agreement was compromised when the login credentials for the YouTube channel were altered, disrupting the company’s account management. Dr. Acheampong emphasised the importance of honouring contractual agreements and ensuring digital assets are managed according to agreed terms.

The situation has sparked broader discussions within the music industry about digital rights, content ownership, and the need for clear and transparent contractual agreements between artists and digital management firms.

As the dispute unfolds, both parties continue to stand by their respective claims, leaving room for further clarification or legal resolution in the near future.